The Music of Cultures and Traditions in Tower Of Silence

Entry: 27 July | 1145 HRS

Introduction

Re-released in 2016 via Music From Memory, Tower of Silence is a compilation of Roberto Musci’s hard-to-find releases. Each song is composed of tunes from traditional and cultural instruments recorded during his travels to Asia, India and Africa between 1974-1985.

From start to finish, the 23-track album takes listeners on Musci’s travel ventures, exploring indigenous traditions and cultures, and his interpretations of them through sonic decryption – a technique which involves the use of synthesisers and electronics.

While he was learning the guitar and saxophone in his hometown of Milan, Musci developed a fascination with non-western music and decided to travel across Asia, India and Africa . During his trips, the Milanese artist collected many field recordings, capturing unique, esoteric soundscapes from a variety of local environments. 

Throughout the album, numerous instruments and indigenous vocals can be identified. 

Kicking off with Improbably Musica, the washed-out sounds of Indian indigenous skin drums and a string-like instrument creates a scene as if one is driving down a hazed-filled road as the scorching sun arises from the rice plains nearby. 

Tamatave sets one in a temple-like setting, with chimes ringing in the background and a Chinese gong ringing from time to time. A lady sings in an indigenous dialect, accompanied with a unique tribal playing of the flute.

Closing with Lidia After The Snow, the sounds of distorted Tablas panned out to the extremes; when overlaid with the distant chanting of a lady in the background, the song makes one feel as if they were in a mythical forest by an azure lake, greeted by a goddess of the forest.

By carefully weaving each instrument into one another, Musci filters and introduces his own style of using synthesisers. There were instances where Musci could have went overboard with effects and filters, but the careful portrayal of the organic sounds of each instrument and field recording throughout the record is a testament to what a great artist he is. The sounds of each culture is preserved albeit the subtle synth pads and distortions in which he introduces skilfully. He perfectly juxtaposes ancient and modern methods of sound composition to create an otherworldly soundscape.

The album is great for deep listening, especially for those who crave traditional and ambient vibes. The music can be associated with the likes of the late Jon Hassell or David Toop. For ambient fans, this is definitely a must listen!

Music Credit: Roberto Musci

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